Bob Caswell

A few months back I purchased a high-definition television (HD-TV) but have yet to experience its true capacity (sharper images, etc.). The apartment complex I live in has me locked into one satellite provider which does not offer any HD broadcasting. And I have been reluctant to purchase a next generation DVD player because of the format wars.

For those not up to speed, Sony’s next generation DVD is called Blu-ray whereas Microsoft and Toshiba have a format called HD DVD. The two are comparable in terms of the higher picture quality they offer (unless you want to nitpick) but are, of course, incompatible with each other. To make matters worse, most movies are only released in one format or the other. For instance, Disney movies are only available in Blu-ray whereas Universal Studios movies are only in HD DVD.

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Radiohead has decided to respond to the previous coverage of their social experiment of offering their album online at a name-your-own price. According to a study (by a third party, comScore), only 38% of downloaders paid something while the 62% majority paid nothing. And of those paying, most paid less than $4. While it was fun to speculate on what this could mean for the music industry, turns out any speculation was based on more speculation (comScore’s). Here’s what Radiohead had to say:

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About a month ago, we mentioned Radiohead’s social experiment of offering fans a choose-your-own-price way for downloading the band’s latest album (with the option of free). As I had mentioned, simple economics dictates that the most likely price in this case will be the minimum. And I was right, sort of.

Only 38% of downloaders paid something while the 62% majority paid nothing. Globally, the average price paid was $6; the average in the U.S. was around $8. But those numbers ignore the freeloaders. Including the “no pay” crowd, the average price was around $2.26 globally and $3.23 in the U.S. Of those who did pay something, 17% paid below $4 (the most common category) but 12% paid between $8 and $12, a price in line with iTunes or Amazon.

Was it a success? Yes and no, depending on how you look at it.

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So Google today announced its plans to be the latest force in the cellphone industry. The gist of the press release is that Google has partnered with 34 companies to develop and release an “open source” operating system, user interface, and applications. What this means in terms of the highly anticipated Gphone is best explained in the words of the Google engineer in charge of the project, Andy Rubin: “We are not building a GPhone; we are enabling 1,000 people to build a GPhone.”

This is really only news if you’re a developer. As for what this means for technology consumers specifically, see below for a compilation of the most relevant and interesting quotes surrounding the latest news of the pseudo-Gphone:

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A friend of mine asked me how to transfer his data from his old laptop to his new laptop. In particular, he was interested in the big three types of files on most personal computers these days: documents, music, and photos. “I know where I keep all my files, so I just copy them over to where I want them on the new computer, right?”

Well, he’s right for one of three categories of files: documents. But when I asked him if he was interested in preserving his iTunes playlists, song ratings, and album art or his Picasa photo albums (basically, any of his “metadata”), he gave me the “of course” look. Little did he know the headache that awaited him, none of that information moves when you simply copy or backup files.

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